2024 VIP Program | Exchange Stage Programming

Northern Trust Exchange Stage at EXPO CHICAGO 2023. Left: Wole Lagunju, Artist and 2023 Northern Purchase Prize Winner, Montague Contemporary. Right: Min Jung Kim, the Barbara B. Taylor Director of the Saint Louis Art Museum and 2023 Northern Trust Purchase Prize Recipient. Photo: Kyle Flubacker.

EXCHANGE BY NORTHERN TRUST: AN INTERACTIVE CONVERSATION AROUND THE ART OF COLLECTING

Exchange by Northern Trust: An Interactive Conversation Around the Art of Collecting presents a series of four panels on the contemporary art market and current trends including supporting artists legacies and how to build a meaningful collection. The Exchange Stage is located on the 300 level of Festival Hall’s west end next to EXPO CHICAGO’s VIP Collector Lounge*

Exchange by Northern Trust programming is only available to VIP pass holders. Please email vip@expochicago.com with any questions.

Real-time captioning will be available for all programming on the Exchange stage throughout EXPO CHICAGO, accessible via QR code and made viewable via StreamText on any tablet or smartphone. 

Friday, April 12 


Rosario Güiraldes, EXPO CHICAGO 2024 EXPOSURE Curator. Photo by Adrianna Glavanio.

12:00pm — 12:30pm  
NORTHERN TRUST PURCHASE PRIZE ANNOUNCEMENT  

Join us for a reception with recipient institutions of the Northern Trust Purchase Prize, following the unveiling of three special acquisitions by the High Museum in Atlanta, GA; the Milwaukee Art Museum in Milwaukee, WI; and the Museum of Contemporary Art San Diego in San Diego, CA. All works are selected from the EXPOSURE section, curated by Rosario Güiraldes (Curator of Visual Art, Walker Art Center), which is dedicated to emerging international galleries aged ten years or younger.  

Scott Burton, Atrium Furnishment, 1986. Commissioned by Equitable Life Assurance Society, NY. Courtesy the Estate of Scott Burton.

1:00 —2:00pm  
CONDITION REPORT | THE LEGACY OF SCOTT BURTON 

Panelists | Gordon Hall (Artist, DOCUMENT), Jess Wilcox (Independent Curator), Jeremy Johnston (Darling Green). Introduced by Brayton Alley (Regional Manager of Wealth Strategies Group, Wealth Management | Central Region) 

This dialogue will focus on the work of artist Scott Burton (1939–1989) and his engagement with performance in the public sphere through his ambitious sculptural installations made in the 1980s. Burton developed a signature sculptural and performative grammar that focused on public life, body language, and human interactions within the built environment. This insistence on the primacy of everyday life has, to some extent, left his public installations vulnerable and subject to misreading. The removal and alteration of several of Burton’s public commissions constitutes a significant loss, especially when considering parallels between the AIDS crisis and the erasure of these monumental works which are viewed as significant LGBTQ landmarks. Curator Jess Wilcox joins the conversation to discuss the upcoming exhibition at the Pulitzer Art Foundation, Scott Burton, opening Fall 2024.

We encourage guests to visit Seating for Eight, one of Burton's earliest experiments with public art and furniture forms, at the Art Institute of Chicago. 

 2:15— 3:00pm 
HERITAGE WINE TASTING NO. 1

Join Heritage Auctions for a focused wine tasting exploring the evolution of a vintage. Experience a variety of wines that demonstrate how flavors and aromas develop over 20 years or more. Celebrated sommelier and James Beard Award finalist, Mike Madrigale is the Director of Rare Wine at Heritage Auctions. Enjoy Michael’s mastery of this intriguing subject as he hosts an informative and fun event at the Exchange Stage. Should you open that bottle of Bordeaux today? Find out!

Courtesy of Ashley Duchossois Joyce.

3:00pm — 4:00pm  
PRACTICES IN SELF-TAUGHT ART  

Panelists | Ashley Duchossois Joyce (Collector), Dr. David Walega (Collector), Deb Kerr (President & CEO, Intuit: The Center for Intuitive and Outsider Art), Rudy Aronoff (Vice President Chicago Office, Heritage Auctions). Moderated by Annalise Flynn (Independent Curator). Introduced by Juan Alonso (Chief Banking Officer, Wealth Management | East Region) 

Join Deb Kerr, President and CEO of Intuit: The Center for Intuitive and Outsider Art, collectors Ashley Duchossois Joyce and Dr. David Welega, and Vice President of Heritage Auctions Rudy Aronoff in a conversation about best practices for collecting outsider, self-taught, and vernacular art. Duchossiois and her partner, Mike Joyce, are members of Intuit committed to building a collection of self-taught artists. Featured in their collection are esteemed outsider artists Henry Darger, Lee Godie, Bill Traylor, and William L. Hawkins, among many more. Dr. David Walega has been collecting outsider and contemporary art and supporting living artists for nearly 30 years, an interest that began with universal outsider art. Aronoff specializes in prints from historic Chicago art movements and will provide a secondary-market perspective on collecting self-taught art. The panel is moderated by Annalise Flynn, an independent curator and arts administrator based in Wisconsin whose research centers artist-built environments and the vernacular landscape. 

This panel is presented in partnership with Heritage Auctions. 

 4:15— 5:00pm 
HERITAGE WINE TASTING NO. 2

Join Heritage Auctions for another focused wine tasting exploring the evolution of a vintage with celebrated sommelier and James Beard Award finalist, Michael Madrigale, Director of Rare Wine at Heritage Auctions.

Saturday, April 13 


Dani Levinas, The Guardians of Art: Conversations with Major Collectors, 2023. Courtesy of Philadelphia Museum of Art store.

1:00 — 2:00pm  
THE GUARDIANS OF ART | DEALING, COLLECTING, AND STEWARDING PRINTS

Panelists | Dani Levinas (Collector, Author - The Guardians of Art: Conversations with Major Collectors), David Cleaton-Roberts (Director, Cristea Roberts Gallery), Monica Brown (Vice President, Head of Department, Prints and Multiples, Freeman’s | Hindman). Moderated by Phil Sanders (Master Printer). Introduced by Dennise Pentecostes (Banking Relationship Advisor, Wealth Management)

Join Dani Levinas, former chair of The Phillips Collection’s board, prominent collector, and champion of Latin American modern and contemporary art for a discussion on print collecting practices alongside David Cleaton-Roberts, formerly the Vice President of International Fine Print Dealers Association (IFPDA) and the current director of Cristea Roberts, a leading international contemporary art gallery dedicated to publishing, cataloguing, exhibiting and dealing in original prints and works on paper by its roster of over 30 important international artists and artists’ estates. Monica Brown, the vice president and department lead of prints and multiples at Freeman’s | Hindman, a legacy auction house based in Chicago will give her perspective on the current market of prints both locally and nationally. The conversation will be moderated by master printer Phil Sanders.

Artbook & MCA Chicago Store will host a signing for The Guardians of Art: Conversations with Major Collectors with Dani Levinas following the conversation.

This panel is presented in partnership with Freeman’s | Hindman. 

David Hartt, Awards Room at the Johnson Publishing Company Headquarters, Chicago, Illinois, 2011. Courtesy of Anita Blanchard.

3:00— 4:00pm 
BUILDING A CHICAGO-BASED COLLECTION

Panelists | Yesomi Umolu (Arts Leader, Independent Curator) and Anita Blanchard (Collector). Introduced by Marguerite H. Griffin (Director, Philanthropic Advisory Services)

Join collector Anita Blanchard and Yesomi Umolu, arts leader and independent curator, for a discussion on relationship-based collecting and Chicago’s influence. Richard  Hunt, Theaster Gates, Kerry James Marshall, Amanda Williams, Shani Crowe, and Dawoud Bey are among the beloved Chicagoans Blanchard situates in her collection. Together, Blanchard and Umolu (recent Director of Curatorial Affairs and Public Practice at Serpentine in London) will discuss legacies of Black cultural production and institution building in Chicago, addressing the rich history of support that exists between artists and their patrons, and the lesser-known artists and cultural producers that have shaped the city.