/Dialogues

Presented in partnership with the School of the Art Institute of Chicago (SAIC), /Dialogues offers panel discussions, conversations and provocative artistic discourse with leading artists, curators, designers, and arts professionals on the current issues that engage them.

2019 /Dialogues Program

FRIDAY | SATURDAY | SUNDAY


Friday, September 20
Symposium: On Utopia

Within the modernist imagination, utopias once functioned as fictitious sites of yearning—not necessarily as artificial spaces, but as indicators of what could be. Within a twenty-first century context, concepts of utopia have remained relevant, fueling discussions within fields of politics, art, architecture, and culture. The 2019 /Dialogues Symposium: On Utopia, gathers scholars and artists to discuss the various ways in which utopias are continuously being imagined through a series of panels, performances, and book signings that examine how the ‘ideal’ can exist within contemporary structures.
 

Ilya and Emilia Kabakov, Concert for a Fly, 1988.

11:30am–12:00pm 
Performance | Concert for a Fly (1988) 

by llya and Emilia Kabakov (Artists | GALLERIA CONTINUA, Galerie Thaddaeus Ropac) 
The Kabakovs present a new iteration of Concert for a Fly, a string orchestra performance and sculpture work centered around the conductor: a fly hanging from the ceiling. This performance will enact a piece by composer Dmitri Shostakovich (1906–1975), entitled Quartet No. 3 in F major, Op. 73.

Courtesy of the Ship of Tolerance.

12:00–1:00PM 
THE KABAKOVS | ON UTOPIA 

Panelists | Emilia Kabakov (Artist | GALLERIA CONTINUA, Galerie Thaddaeus Ropac), Matthew Jesse Jackson (University of Chicago), and Sheikha Hoor Al Qasimi (Sharjah Art Foundation). Moderated by Jill Snyder (moCa Cleveland). 
Artist Ilya Kabakov, a main figure of the Moscow Conceptualists, began working with Emilia Kabakov upon relocating to America in the late 1980s. The Kabakovs have produced work together for over thirty years, imagining utopic possibilities that originated from painting to found a new genre known as ‘total installation.’ Conceived in Russia at the height of the Cold War, early ideas within the Kabakovs’ works have served as monuments to universal themes such as history and memory. Throughout their career, the duo has placed utopia as a potential outcome and influence of their work. Presented in partnership with The Art Newspaper. 

Painting the Stage "KABAKOVS" - The Flies. A Musical Phantasmagoria (1994)

1:00–1:30pm 
Book Signing & Performance  

Concert for a Fly (1988) by Ilya and Emilia Kabakov  
Painting the Stage published by Skira 

Following the panel, a book signing for Painting the Stage by Denise Poray-Wendel will be presented in partnership with Skira. A special edition of the publication created and signed by Mario Botta, with an edition by the Kabakovs, will be included in this Chicago debut. A second rendition of the Kabakovs’ Concert for a Fly performing Nikolai Rimsky-Korsakov's (1844–1908) Flight of the Bumblebee will occur throughout the signing. Select titles by Matthew Jesse Jackson, published through the University of Chicago Press, will also be available. 

Image from Walks to the Paradise Garden

. Courtesy the artists and Institute 193.

2:00–3:00pm 
Walks to the Paradise Garden: Histories of the American South 

Panelists | Phillip Jones (Curator and Writer), Jeffrey Gibson (Artist | Kavi Gupta), and Tau Lewis (Artist | Monique Meloche Gallery).
 
“We make up beauty out of air, and out of nowhere.” 
—Jonathan Williams 
  
The recently published book Walks to the Paradise Garden takes a deep look into the utopian desires of artists in the Southern United States to make a paradise for themselves—from the front yard to the back garden, the parlor to the basement. The editor of the publication, Phillip March Jones, will be joined by individuals whose work has sought to revisit the histories of these artists, many of which remained little-known until the late-twentieth century. 

Walks to the Paradise Garden

3:00–3:30pm 
Book Signing at Index Art Book Fair  

Walks to the Paradise Garden published by Institute 193 Press. 

Samson Young, Photograph from the production of Houses of Tomorrow, 2019, Video and sound installation, 20 min. Image courtesy of the artist. Photo by Jonathan Loïc Rogers.

3:30–4:30pm 
Have You Ever Seen a Dream Walking?  

Panelists | Samson Young (Artist) and Avery Trufelman (99% Invisible). Moderated by Orianna Cacchione (Smart Museum of Art). 
Hong-Kong-based artist Samson Young’s first museum solo exhibition in the United States, Silver Moon or Golden Star, Which Will You Buy of Me?, draws inspiration from a song by Bing Crosby in 1933 and the utopic ideals of the Chicago World’s Fair, subtitled “A Century of Progress,” of the same year. Joined by Avery Trufelman of 99% Invisible and Orianna Cacchione of the Smart Museum of Art, Young’s film installations will be discussed alongside the futuristic themes of the world’s fair, as well as its impact on global history years later. Presented in partnership with Ocula.

Samson Young, Photograph from the production of Houses of Tomorrow, 2019, Video and sound installation, 20 min. Image courtesy of the artist. Photo by Jonathan Loïc Rogers.

4:30–5:00pm 
Book Signing & Screening 

Samson Young catalogue published by the University of Chicago Press 
The New Bauhaus by Opendox 
Following the panel, join this book signing with Samson Young for his most recent monograph, published through the Smart Museum of Art with the University of Chicago Press, alongside a screening of excepts from the newly released film The New Bauhaus, an Opendox production, which traces the legacy of how László Moholy-Nagy brought the international movement to Chicago. 

Image courtesy Jan Tichy.

5:00–6:00pm 
100 Years of Bauhaus | Future/Past: Bauhaus Palmistry and Astrology 

Panelists | Jan Tichy (Artist | Fridman Gallery, Galerie Kornfeld) and Laura Forlano (IIT)
The Bauhaus is often remembered for its signature austere aesthetic, yet its foundational members were motivated by unconventional subject matter. Focusing on László Moholy-Nagy’s experimentations with palmistry, Chicago-based artist Jan Tichy will relate these archives to Future/Past: Crossing Lines, his solo exhibition at IIT's Mies-designed Carr Chapel. Moderated by Laura Forlano, IIT faculty member and editor of Bauhaus Futures, this conversation will trace these lesser-known histories to define a different type of ‘future.’ Presented in partnership with 100 Years of Bauhaus, IIT Institute of Design (ID), and Wallpaper*.  

Cover of Bauhaus Futures, edited by Laura Forlano, Molly Wright Steenson, and Mike Anannay. Courtesy the authors and MIT Press.

6:00–6:30pm 
Book Signing | Bauhaus Futures 

Laura Forlano (Author), published by the MIT Press.

Dan Perjovschi. Drawing for the exhibition The Coming World: Ecology as the New Politics 2030–2100, 2018. Installation view, Garage Museum of Contemporary Art, Moscow. Photo: Alexey Narodizkiy. © Garage Museum of Contemporary Art

‚Äč12:00–1:00pm 
NO PLAN(ET): Ecology as the New Politics 2030–2100 

Moderated by Elizabeth Corr (NRDC)
The time has come to change our understanding of the environment. Featuring specialists from the Natural Resources Defense Council, a non-profit international environmental advocacy organization whose work with contemporary artists has been used as a means of communicating their socially-engaged mission, this discussion will focus on their inaugural partnership with the Garage Museum of Contemporary Art in Moscow’s groundbreaking exhibition, The Coming World: Ecology as the New Politics 2030–2100, presented as part of the Special Exhibitions program. 

Sarah Thornton, image by Beryl Bevilacque

2:00–3:00pm 
Processing Prospect.5  

Panelists | Grace Deveney (Prospect.5 | Susman Curatorial Fellowship Alumni), Naima J. Keith (Curator | EXPOSURE, LACMA, P.5), and Diana Nawi (Prospect.5 | Susman Curatorial Fellowship Alumni). Moderated by Sarah Thornton (Author, Sociologist of Culture). 
With the expanse of biennial models becoming increasingly ubiquitous, navigating the landscape of large-scale, place-based exhibitions is a growing global curatorial concern. Drawing upon the Prospect.5 curators’ diverse past exhibition experience, alongside research into the Southern United States and the Caribbean, join author and sociologist of culture Sarah Thornton for a discussion on the values, methodologies, and the necessary transparency within an artistic selection process that can be applied to similar undertakings. Gaining insight into the conceptualization of a triennial from a critical perspective, the talk will consider how the African diaspora has shaped the vision for P.5, slated to open in New Orleans in the fall of 2020. Presented in partnership with Cultured.  

Charles Atlas, MC9, 2012. Installation view, Charles Atlas and Collaborators, BMW Tate Live, The Tanks, Tate Modern, 2013. Edition of 3 and 2 artist’s proofs. © Charles Atlas and Tate. Photo: Gabrielle Fonseca Johnson for Tate Photography.

4:00–5:00pm 
Charles Atlas | In Conversation 

Panelists | Charles Atlas (Artist | Luhring Augustine) and Jennifer Krasinski (Artforum) 
The work of pioneering filmmaker Charles Atlas began in New York in the 1970s, following his position as a lighting designer for Merce Cunningham’s dance company, where he made his first films. Through the 1980s and ‘90s, Atlas began creating seminal media and performance works, often centered around the dancer’s body—working with artists such as Yvonne Rainer, Leigh Bowery, and Andy Warhol, among others. For the last decade, Atlas has created large-scale multi-channel installations that combine digital graphics and video. Coinciding with a newly commissioned installation as part of Art on theMART, this discussion will touch upon his lifetime of work. Presented in partnership with Artforum

 Tom Harris, Vertical City. Courtesy of Chicago Architecture Biennial 

5:30–6:30pm 
CHICAGO ARCHITECTURAL BIENNIAL

Join a panel discussion on the 2019 Chicago Architectural Biennial, entitled …and such other stories, exploring themes navigated by leading participants whose recent commissions intersect with contemporary art and architecture. The conversation will be led by Sepake Angiama (Chicago Architectural Biennial), one of the curators of the biennial exhibition. 

Lena Henke, Die Kommenden II, 2018. Bortolami, New York.

12:00–1:00pm 
IN/SITU 

Panelists | Jacob Fabricius (Kunsthal Aarhus, Denmark) 
Installed within the expansive, vaulted architecture of Navy Pier’s Festival Hall, IN/SITU features large-scale sculpture, video, film and site-specific works. Join the 2019 IN/SITU Curator, Jacob Fabricius and featured artists as they discuss the ambitions of the program and works on view. 

Eduardo Terrazas. Image courtesy of the artist and Timothy Taylor.

2:00–3:00pm 
The Cosmos: Possibilities of a Structure 

Panelists | Edra Soto (Artist) and Eduardo Terrazas (Artist | Timothy Taylor). Moderated by Hans Ulrich Obrist (Serpentine Galleries). 
While the cosmos controls and regulates our understanding of space and structures, it is also an interminable architecture. Its unending reach has inspired contemporary artists to explore the bounds of the infinite. Thinking in terms of how we can define a cosmos, both universally and subjectively, this panel will explore the practices of Eduardo Terrazas, whose work includes the iconic pavilions designed for the Olympic games in Mexico City in 1968, and Chicago-based artist Edra Soto, whose installations explore how patterns arise from aesthetic structures of colonialism within her native Puerto Rico. Presented in partnership with the Terra Foundation of American Art. 

Cover of Creative Chicago: An Interview Marathon

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3:00–4:00pm 
Book Launch | Creative Chicago: An Interview Marathon

Speakers | Alison Cuddy (Chicago Humanities Festival, Co-Author), Elizabeth Glassman (Terra Foundation for American Art), Barbara Kasten (Artist | Bortolami),  Hans Ulrich Obrist (Serpentine Galleries, Co-Author), and Edra Soto (Artist). Led by Stephanie Cristello (EXPO CHICAGO, THE SEEN).
Taking place at EXPO CHICAGO last year, Creative Chicago: An Interview Marathon with Hans Ulrich Obrist was a five-hour series of conversations with artists, authors, architects, and others representing Chicago’s diverse creative community. Join Obrist, Terra Foundation President Elizabeth Glassman, Chicago Humanities Festival Marilynn Thoma Artistic Director Alison Cuddy, and artists Barbara Kasten and Edra Soto for the unveiling of a publication that documents the event and explores the work of the 20+ participants. Published by the Terra Foundation for American Art, Creative Chicago features texts of Obrist’s conversations, along with photographs of the program against the stage installation by Barbara Kasten. Book signing to follow. Presented by the Terra Foundation for American Art and the Chicago Humanities Festival.