The EXPOSURE section, installed on the main floor of the exposition, features solo and two-artist presentations represented by galleries eight years and younger. Focusing on a curated selection of emerging artists, 2018 EXPOSURE exhibitors will be curated by Justine Ludwig, Executive Director, Creative Time.
Awol Erizku, Fuck 12 | 50 Round Drums, 2017, House paint, spray paint, and paper with basketball hoops on corrugated metal, 96 x 96 x 26.5 inches. Courtesy of Night Gallery, Los Angeles.
Lee Wan, Proper Time: Though the Dreams Revolve with the Moon (pictured with For a Better Tomorrow), 2017, 668 clocks, Variable dimensions, Installation view at Korea Pavilion, 57th Venice Biennale. Courtesy of 313 Art Project, Seoul.
Jibade-Khalil Huffman, Untitled (Tears), 2017, Archival Inkjet Print, 32.5 x 24.63 inches. Courtesy of Anat Ebgi, Los Angeles.
Margaret Honda, Box Snare, 1989, Wood, metal, 10.5 x 5.75 x 5.5 inches. Courtesy of Grice Bench, Los Angeles.
Marlon de Azambuja, Herencia (detail), 2013, Pothos plants, spray, urn, Variable dimensions, Courtesy of the artist and Intituto de Vision. Photography by Sebastian Cruz
Naudline Pierre, Shadow, 2017, Oil on canvas, 40 x 30 inches. Courtesy of Shulamit Nazarian, Los Angeles.
- 313 Art Project, Seoul | Lee Wan
- Amar Gallery , London | Renee Cox and Guerrilla Girls
- Piero Atchugarry, Pueblo Garzón, Miami | Verónica Vázquez and Lungiswa Gqunta
- Beers London, London | William LaChance
- LUIS DE JESUS Los Angeles, Los Angeles | Caitlin Cherry and Peter Williams
- Dio Horia , Athens, Mykonos | Maja Djordjevic
- Anat Ebgi, Los Angeles | Jibade-Khalil Huffman and Jason Bailer Losh
- Edel Assanti, London | Sorel Etrog
- Daniel Faria Gallery, Toronto | Douglas Coupland and Kristine Moran
- Fold, London | Asmund Havsteen-Mikkelsen and Magnus Pettersen
- Fridman Gallery, New York | Nathaniel Lewis
- Geary, New York | Suzette Bross
- Asya Geisberg Gallery, New York | Julie Schenkelberg and Marjolijn de Wit
- Grice Bench, Los Angeles | Margaret Honda
- Mariane Ibrahim, Seattle | Clotilde Jimenez
- Instituto de Visión, Bogotá | Nicolas Consuegra and Marlon de Azambuja
- KANT, Copenhagen | Asmund Havsteen-Mikkelsen and Magnus Pettersen
- Klowden Mann, Los Angeles | Andrea Chung and Katie Herzog
- LAZY Mike, Moscow, Los Angeles | Daniel Lergon
- HARLAN LEVEY PROJECTS, Brussels | Haseeb Ahmed and Ella Littwitz
- NINO MIER GALLERY, Los Angeles | Jansson Stegner
- Moskowitz Bayse, Los Angeles | Alexa Guariglia and Anthony Miserendino
- Shulamit Nazarian, Los Angeles | Amir H. Fallah and Naudline Pierre
- Night Gallery, Los Angeles | Awol Erizku
- NOME , Berlin | Kirsten Stolle and Xiyadie
- Officine dell'Immagine, Milan | Verónica Vázquez and Lungiswa Gqunta
- Carlye Packer Los Angeles, Los Angeles | Alake Shilling
- ROCKELMANN & Partner, Albuquerque, Berlin | Megan Stroech and Bailey Romaine
- Romer Young Gallery, San Francisco | Johnny Abrahams and Joseph Hart
- Sapar Contemporary, New York | Phoebe Boswell
- Shin Gallery, New York | Andreas Emenius
- Catinca Tabacaru, New York, Harare | Joe Brittain and Yapci Ramos
- Zalucky Contemporary, Toronto | Lili Huston-Herterich and Jim Verburg
About the Curator
Justine Ludwig’s career has included positions at Dallas Contemporary, Contemporary Arts Center in Cincinnati, the Boston Museum of Fine Arts, the Rose Art Museum, the Colby College Museum of Art, the Danforth Museum of Art, the Bernard Toale Gallery and the MIT List Visual Arts Center. Recent curated exhibitions include Bani Abidi: An Unforeseen Situation, Nadia Kaabi-Linke: Walk the Line, Pia Camil: Skins and Laercio Redondo: What ends every day. Her research interests include memory, new media, architecture, economics and the aesthetics of globalization. Ludwig has an MA in Global Arts from Goldsmiths University of London and a BA in Art with a concentration in Art History from Colby College.