The EXPOSURE section, installed on the main floor of the exposition, features solo and two-artist presentations represented by galleries eight years and younger. Focusing on a curated selection of emerging artists, 2018 EXPOSURE exhibitors will be curated by Justine Ludwig, Executive Director, Creative Time.
Awol Erizku, Fuck 12 | 50 Round Drums, 2017, House paint, spray paint, and paper with basketball hoops on corrugated metal, 96 x 96 x 26.5 inches. Courtesy of Night Gallery, Los Angeles.
Lee Wan, Proper Time: Though the Dreams Revolve with the Moon (pictured with For a Better Tomorrow), 2017, 668 clocks, Variable dimensions, Installation view at Korea Pavilion, 57th Venice Biennale. Courtesy of 313 Art Project, Seoul.
Jibade-Khalil Huffman, Untitled (Tears), 2017, Archival Inkjet Print, 32.5 x 24.63 inches. Courtesy of Anat Ebgi, Los Angeles.
Margaret Honda, Box Snare, 1989, Wood, metal, 10.5 x 5.75 x 5.5 inches. Courtesy of Grice Bench, Los Angeles.
Marlon de Azambuja, Herencia (detail), 2013, Pothos plants, spray, urn, Variable dimensions, Courtesy of the artist and Intituto de Vision. Photography by Sebastian Cruz
Naudline Pierre, Shadow, 2017, Oil on canvas, 40 x 30 inches. Courtesy of Shulamit Nazarian, Los Angeles.
313 Art Project, Seoul | Lee Wan
Amar Gallery, London | Renee Cox and Guerrilla Girls
Piero Atchugarry, Garzón, Miami | Verónica Vázquez and Lungiswa Gqunta
BEERS London, London | William LaChance
Club Pro Los Angeles, Los Angeles | Alake Shilling
Luis De Jesus Los Angeles, Los Angeles | Caitlin Cherry and Peter Williams
Dio Horia , Athens, Mykonos | Maja Djordjevic
Anat Ebgi, Los Angeles | Jibade-Khalil Huffman and Jason Bailer Losh
Edel Assanti, London | Sorel Etrog
Daniel Faria Gallery, Toronto | Douglas Coupland and Kristine Moran
FOLD, London | Asmund Havsteen-Mikkelsen and Magnus Pettersen
Fridman Gallery, New York | Nathaniel Lewis
Geary , New York | Suzette Bross
Asya Geisberg Gallery, New York | Julie Schenkelberg and Marjolijn de Wit
Grice Bench, Los Angeles | Margaret Honda
MARIANE IBRAHIM, Seattle | Clotilde Jimenez
Instituto de Visión, Bogotá | Nicolas Consuegra and Marlon de Azambuja
KANT, Copenhagen | Asmund Havsteen-Mikkelsen and Magnus Pettersen
Klowden Mann, Culver City | Andrea Chung and Katie Herzog
LAZY Mike, Los Angeles, Moscow | Daniel Lergon
Harlan Levey Projects, Brussels | Haseeb Ahmed and Ella Littwitz
NINO MIER GALLERY, Los Angeles, Cologne | Jansson Stegner
Moskowitz Bayse , Los Angeles | Alexa Guariglia and Anthony Miserendino
Shulamit Nazarian, Los Angeles | Amir H. Fallah and Naudline Pierre
Night Gallery, Los Angeles | Awol Erizku
NOME, Berlin | Kirsten Stolle and Xiyadie
Officine dell'lmmagine , Milan | Verónica Vázquez and Lungiswa Gqunta
ROCKELMANN & PARTNER, Berlin | Megan Stroech and Bailey Romaine
Romer Young Gallery, San Francisco | Johnny Abrahams and Joseph Hart
Sapar Contemporary, New York | Phoebe Boswell
Catinca Tabacaru , New York, Harare | Joe Brittain and Yapci Ramos
Zalucky Contemporary, Toronto | Lili Huston-Herterich and Jim Verburg
About the Curator
Justine Ludwig’s career has included positions at Dallas Contemporary, Contemporary Arts Center in Cincinnati, the Boston Museum of Fine Arts, the Rose Art Museum, the Colby College Museum of Art, the Danforth Museum of Art, the Bernard Toale Gallery and the MIT List Visual Arts Center. Recent curated exhibitions include Bani Abidi: An Unforeseen Situation, Nadia Kaabi-Linke: Walk the Line, Pia Camil: Skins and Laercio Redondo: What ends every day. Her research interests include memory, new media, architecture, economics and the aesthetics of globalization. Ludwig has an MA in Global Arts from Goldsmiths University of London and a BA in Art with a concentration in Art History from Colby College.