Sims Reed Gallery

gallery.simsreed.com

43A Duke Street, St. James's, London SW1Y 6DD, United Kingdom | +44 (0)207 930 5111

David Hockney, A Hollywood Collection, 1965, The complete portfolio of six lithographs printed in colours., 77.2 x 56.5 cm (each), Each signed and dated in pencil, numbered from the edition of 85. With the title page and justification pages. Printed on BFK paper by Kenneth Tyler at Gemini Ltd. Published by Editions Alecto.
Sol LeWitt, Arcs and Bands in Color, 2000, The set of six linocuts printed in colours, 50.8 x 50.8 cm (each), Each signed in pencil, numbered from the edition of 50. Printed on Somerset Velvet Radiant White paper by Hidemi Nomura and Tsutomu Kjimoto at Watanabe Studio, New York. Published by Editions Schellmann, Barcelona. (Krakow 1999.11)
Alex Katz, Nicole, 2018, Lithograph, woodcut and screenprint., 91.44 x 203.2 cm, Signed in pencil, numbered from the edition of 50. Printed and published by Graphicstudio, Tampa.
Roy Lichtenstein, Brushstrokes, 1967, Screenprint in colours, 58.2 x 78.5 cm, Signed in pencil and numbered from the edition of 300. Printed on off-white wove paper by Aetna Silkscreen Products, New York. Published by Leo Castelli Gallery for the Pasadena Art Museum, California.
Man Ray, Revolving Doors: One Plate, 1973, Pochoir printed in colours after a collage from 1916-17, 63 x 44.8 cm, Signed and numbered in Roman Numerals in pencil, one of 10 impressions on Japan paper (aside from the edition of 100). Printed by Daniel Jacomet, Paris. Published by Luciano Anselmino, Turin.
Bridget Riley, To Midsummer, 1989, Screenprint in colours, 92.7 x 91.5 cm, Signed and titled in pencil, numbered from the edition of 100. Printed by Graham Henderson, London. Published by the artist.
Christo and Jeanne-Claude, Wrapped Trees, Project for the Avenue des Champs-Elysées, Paris, 1992, Lithograph printed in colours with hand-colouring and collage of transparent polythylene, thread, photograph, map, tape and staples., 70 x 75 cm, Signed in pencil, inscribed 'HC' (one of five hors commerce impressions aside from the edition of 100). Printed on Guarro paper mounted to board (as issued). Published by Poligrafa, Barcelona.
Gerhard Richter, Wolken (Clouds), 1969, Offset lithograph, 50 x 55 cm, Signed and dated in pencil, from the edition of 300. Printed on lightweight cardboard. Published by Griffelkunst-Vereinigung Hamburg-Langenhorn e.V., Hamburg.
Roy Lichtenstein, Water Lily, 1993, Screenprint in colours, 47 x 58.4 cm, Signed and dated in pencil, numbered from the edition of 130. Printed on Lana Royale paper by Gemini G.E.L, Los Angeles. Published by the artist and Gemini G.E.L., Los Angeles, with their blindstamps and inkstamps verso. Created to benefit the campaign of Los Angeles City Councilman Joel Wachs.
Henri Matisse, Le Clown, 1947, Pochoir printed in colours., 42 x 32.5 cm, From: Jazz, Plate I. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris.
Henri Matisse, Le Lagon, 1947, Pochoir printed in colours, 42 x 65 cm, From: Jazz, Plate XVII. From the book edition of 270. Printed on Arches paper by Edmond Vairel. Published by Teriade, Paris.
Henri Matisse, L'enterrement de Pierrot, 1947, Pochoir printed in colours, 42 x 65 cm, From: Jazz, Plate X. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris.
Wayne Thiebaud, Glassed Candy, 1980, Lithograph printed in colours, 76.2 x 56 cm, From Presidential Portfolio. Signed in pencil, numbered from the edition of 150. Printed on Rives BFK paper. Published by the Democratic Committee Service Corporation, Washington DC.
Bruce Nauman, Life Mask, 1981, Lithograph, 71 x 96.5 cm, Signed and dated in pencil, numbered from the edition of 50 (total edition includes 13 artist's proofs). Printed on Arches Cover paper by Charly Ritt. Published by Gemini G.E.L., Los Angeles, with their blindstamp.
David Hockney, Potted Daffodils, 1980, Lithograph, 112.3 x 76.4 cm, Signed and dated in pencil, numbered from the edition of 98. Printed on BFK Rives paper by Tyler Graphics Ltd., Mount Kisco, New York. Published by Tyler Graphics, New York, with their blind stamp.
Bruce Nauman, Untitled, 1969, Offset lithograph printed in pink and green., 61.5 x 51 cm, Signed in pen, from the edition of unknown size. Printed on Kromekote paper. Published by Leo Castelli Gallery, New York. Published in conjunction with the exhibition 'Bruce Nauman: Holograms, Videotapes, and Other Works' at the Leo Castelli Gallery (May-June 1969).
David Hockney, My Bonnie Lies Over the Ocean, 1962, Etching and aquatint printed in colours, with collage, 57.2 x 77.8 cm, Signed and dated in pencil, numbered from the edition of approximately 50. Proofed by the artist at the Pratt Graphic Workshop, New York. Printed on wove paper by Ron Fuller and Peter Mathews at the Royal College of Art, London.
Howard Hodgkin, Put Out More Flags, 1992, Lift-ground etching, aquatint, carborundum and hand-colouring, 43.2 x 53.3 cm, Signed and dated in pencil, numbered from the edition of 75.
Bridget Riley, Large Fragment, 2006, Screenprint in colours, 128.3 x 109.2 cm, Signed in pencil and numbered from the edition of 50 plus 10 artist's proofs. Printed by Artizan Editions, Hove. Published by the artist.